\n\u003Cbr/>\n\n\n**CV Daniel Züsli**\n\n- 1986* in Zug,\taufgewachsen in Cham, lebt in Luzern und arbeitet in Cham.\n- 2008 – 2011\tAusbildung zum Holzbildhauer, Holzbildhauerschule Brienz \n- 2011 – 2015 \tLehr- und Wanderjahre als Holzbildhauer\n- Seit 2015 \tSelbständig mit eigenem Atelier in Cham\n- 2019-2022\tBachelor of Arts, Hochschule Luzern \n\n**Ausstellungen (Auswahl)**\n- 2025 Regional Willisau, Haus zur Glocke Steckborn\n- 2024 Hortus Conclusus Galerie Weiertal Winterthur\n- 2024 HallelujART Steinhausen\n- 2024 Objektkunst im Fokus Visarte Luzern\n- 2024 Kunst aus Abbruchobjekt Schule Wiesental Baar\n- 2023 Auswahl 23 Aargauer Kunsthaus, JKON Expoit me Kunstmuseum Olten\n- 2023 Sammlung im Dialog II Sankturbahnhof Sursee\n- 2023 #umrissederrelevanz Chateau Hornegg Zürich\n- 2022 Kunst im Wald Dietikon\n- 2022 Les jours des éphémères Olten\n- 2021 Wohin? Lakeside Gallery Unterägeri (Einzelaustellung)\n- 2021 Kunstpause Zug\n- 2021 Art Trail Andermatt\n- 2021 Landartpfad Engelberg\n- 2021 LE FESTIVAL DES ÉCHECS\n- 2021 Espace Libre Biel\n- 2021 Perfect Match Galerie Kriens\n- 2020 ART Innsbruck mit Lakeside Gallery\n- 2020 Landart Pfad Andermatt – Hospental\n- 2020 Flachgedrückt Zug Kultur Magazin\n- 2020 BREAK UP THE MOLD Luzern\n- 2020 Hohoho Kali Gallery Luzern\n- 2019 Strukturiert und flachgedrückt. Lakeside Gallery Unterägeri (Einzelaustellung)\n- 2019 Contemporary Basel\n- 2019 Art 333 Wädenswil/Au\n- 2019 Kunstpause Zug\n- 2018 KunstKubusCham (Einzelausstellung)\n- 2018 Frisch verpackt, Zuger Kunstnacht, Kunstpause\n\n**Symposien und Schauschnitzen**\n- 2023 Int. Holzbildhauer Symposium Brienz\n- 2022 Höfner Skultpurensymposium Pfäffikon SZ\n- 2019 Choma, Int. Holzbildhauer Symposium Brienz\n- 2019 Art Engiadina Sur En, Kunst und Bier (D) Steinhauser-Bildhauer-Spektakel (Organisation)\n- 2018 Vias d`art Pontresina (Schneeskulpturen)\n- 2016 Holzbildhauersymposium Illshofen (D), Int. Holzbildhauer Symposium Brienz, Züsli und Hubers hauen drauf, Cham am See\n- 2015 15. Int. Holzbildhauersymposium in Zinnowitz (D)\n- 2014 Holzbildhauersymposium Ehrenfriedersdorf (D)\n- 2014 Int. Holzbildhauer Symposium Brienz (CH), Holzbildhauerwoche Rosswald\n\n**Preise und Auszeichnungen**\n- 2024 Förderbeitrag Kanton Zug\n- 2024 Kunstankauf Gemeinde Baar\n- 2019 Förderbeitrag Kanton Zug\n- 2017 KMU Preis an der Tierparade mit TrashTier\n- 2013 1. Preis beim 18. Internationalen Holzbildhauersymposium in Eubabrunn (D)\n\n**Arbeiten im Öffentlichen Raum**\n- 2024 Chöpf 2.0 Hirsgarten Cham\n- 2023 Tandem Zug\n- 2021 Wohin? 2 Doppelskulpturen in Unterägeri\n- 2019 Brunnen fürs Eidg. Schwing und Älplerfest Zug\n- 2019 Kreiseldekoration fürs Eidg. Schwingfest Gemeinde Steinhausen\n- 2018 „Zurückschauen und sich vorwärtsbewegen“ 100 Jahre Ruderclub Cham\n- 2014 Heilige Famillie für die Dorfkrippe in Dölsach (A)\n- 2013 Skulpturengruppe ‚Saint Margaret‘, ‚Knight of Malta‘, ‚Journeyman‘ for the Knights Sanctuary at Sawcliffe Manor (GB)\n- 2013 Skulptur ‚Heiliger Lukas‘ Schutzpatron der Maler, Eingangspforte Malermuseum in Wehrbleck (D)\n\n[daniel-zuesli.ch](http://www.daniel-zuesli.ch)","Züsli","Daniel","kleio:record_user_1734_3c043e794",{"@id":470,"@score":472,"@type":251,"kleio:activity_tag":473,"kleio:country_tags":474,"kleio:cover_asset":475,"kleio:default":18,"kleio:record_owner":476,"kleio:type_tags":477,"kleio:user_record_id":67,"kleioapi:in_set":478,"kleioapi:in_space":479,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":481,"kleioapi:owner_default_space__label__de":481,"kleioapi:owner_default_space__label__en":481,"kleioapi:owner_default_space__label__fr":481,"kleioapi:public":6,"rdfs:label":481,"rdfs:label__de":481,"schema:description":482,"schema:description__de":482,"schema:familyName":483,"schema:givenName":484,"threems:relatesTo":251,"threems:searchVia_index":485},1.3918285,[270],[273],"kleio:asset_1ddbfe09-8a22-465d-b56b-1f7692e852ea","kleio:user_1734_3c043e794",[254],[39],[25,480],"kleio:space_7b413aa2-8dcb-4a62-b7e9-dcfd6cff2927","Pascal Sterchi","In my artistic work I am concerned with reconciliation and the balancing of boundaries. I like to combine things that do not go together and am convinced that interesting things are hidden in the inconspicuous. I am impulsively guided by my intuition and my imagination.\n\nSince I am disillusioned with the idea of limitations, I believe in the creation of new universes. I focus on to the ever-changing environment, the metamorphosis of all being and existentialism. Current socio-political discourses trigger my creative work and form the impetus for the relentless search for new images.\n\nThe act of masking one’s reality echoes in the act of figuration. Therefore my work also orbits around masculinities, their mannerisms and sensations. Characters are often caught in states of emotional or psychological transformation. Vulnerability and ambiguity become a reality for the subject.","Sterchi","Pascal",11,"kleio:record_user_1737_3c0448191",{"@id":486,"@score":488,"@type":251,"kleio:activity_tag":489,"kleio:country_tags":490,"kleio:cover_asset":492,"kleio:default":18,"kleio:record_owner":493,"kleio:type_tags":494,"kleio:user_record_id":67,"kleioapi:in_set":495,"kleioapi:in_space":496,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":498,"kleioapi:owner_default_space__label__de":498,"kleioapi:owner_default_space__label__en":498,"kleioapi:owner_default_space__label__fr":498,"kleioapi:public":6,"rdfs:label":498,"rdfs:label__de":498,"schema:description":499,"schema:description__de":499,"schema:familyName":500,"schema:givenName":501,"threems:relatesTo":251,"threems:searchVia_index":502},1.3048072,[270],[273,491],"kleio:tag_country_AL","kleio:asset_38b29896-5556-44ed-a7ee-2e8566c6bc29","kleio:user_1737_3c0448191",[254],[39],[25,497],"kleio:space_6ee390b2-7fde-4b7c-80d5-933d092bd248","Nexy","Nexy lebt in Zürich und studiert an der HSLU Kunst und Vermittlung.\n\nNexy ist eine aktive Künstlerin mit viel Imagination. Sie ist inspiriert von verschiedenen Stilrichtungen, von der klassischen Zeit bis heute. Die Hauptthemen, die sie erforscht, sind Feminismus, die menschliche Figur und die Natur. \n\nDer Hauptzweck ihrer Malerei ist nicht das Thema, sondern die Gesamtheit der Malerei selbst - und die inhalt auf der Leinwand sollen die Betrachtern zur Interpretation anregen. \n\nEs macht sie glücklich, wenn ihre Kunst auch andere Menschen auf diesem Planeten erreicht und uns alle miteinander verbindet. \n\nWenn sie beim Malen ist, befindet sie sich wie in einer Meditation. Ihr Arbeitsplatz ist stets aufgeräumt, damit die universelle Energie aufgenommen und auf der Leinwand zum Ausdruck gebracht werden kann. Ihr Ziel ist es, eine innere Szenerie wie eine Art auf die Leinwand zu bringen.","Imeri","Nexhibe",6,"kleio:record_user_1728_3c0428a1a",{"@id":503,"@score":505,"@type":251,"kleio:activity_tag":506,"kleio:country_tags":507,"kleio:cover_asset":508,"kleio:default":18,"kleio:record_owner":509,"kleio:type_tags":510,"kleio:user_record_id":67,"kleioapi:in_set":511,"kleioapi:in_space":512,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":514,"kleioapi:owner_default_space__label__de":514,"kleioapi:owner_default_space__label__en":514,"kleioapi:owner_default_space__label__fr":514,"kleioapi:public":6,"rdfs:label":514,"rdfs:label__en":514,"schema:familyName":515,"schema:givenName":516,"threems:relatesTo":251,"threems:searchVia_index":232},1.2707312,[270],[273],"kleio:asset_2b30d138-4077-4951-bec6-0b607548e0a8","kleio:user_1728_3c0428a1a",[254],[39],[513,25],"kleio:space_dd8a3433-22f3-4477-9f48-3e3208adc3f6","Emma Bertuchoz","Bertuchoz","Emma","kleio:record_user_2432_3cfc30234",{"@id":517,"@score":519,"@type":251,"kleio:activity_tag":520,"kleio:country_tags":521,"kleio:cover_asset":524,"kleio:default":18,"kleio:record_owner":525,"kleio:type_tags":526,"kleio:user_record_id":67,"kleioapi:in_set":527,"kleioapi:in_space":528,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":530,"kleioapi:owner_default_space__label__de":530,"kleioapi:owner_default_space__label__en":530,"kleioapi:owner_default_space__label__fr":530,"kleioapi:public":6,"rdfs:label":530,"rdfs:label__de":530,"schema:description":531,"schema:description__de":531,"schema:familyName":532,"schema:givenName":533,"threems:relatesTo":251,"threems:searchVia_index":534},1.2456653,[270],[522,273,523],"kleio:tag_country_DE","kleio:tag_country_NL","kleio:asset_e17ad9df-9011-452a-ad93-fbede718e403","kleio:user_2432_3cfc30234",[254],[39],[529,25],"kleio:space_6d5994dc-b966-4bc0-9750-d5bd329f2388","Julia Meade","Performatively and conceptually I screen myself as a woman, as a parent and as an artist. I see my life as an example and address myself as a ‘mother’ in relation to society.\n\nMy practice relates to the research of this topic - a sociopolitically complex concept with which I deal autobiographically and autotheoretically to process personal experiences, reveal conflicts and pain points. Private becomes public and I deliberately avoid always adapting to my surroundings. I actively try to not separate and let me be the entity that I am. Existing with what I have, united into a complete whole.\nSeeking consensus. Maintaining simultaneity. Subversive thinking.\n\nChildren are the political act of our society. Children are not a private matter. I am in a more-than-individual state. I wish for laboratories, where a new language can be created. Education is the cultivation of the self. The artistic practice to diagnose the interest in the cultural world, as well as the interest in the world of children and make expectations visible.\n\nmore information on my [Instagram](https://www.instagram.com/ju_meade/)","Meade","Julia",15,"kleio:record_user_2438_3cfc3fd7e",{"@id":535,"@score":537,"@type":251,"kleio:activity_tag":538,"kleio:country_tags":539,"kleio:cover_asset":540,"kleio:default":18,"kleio:record_owner":541,"kleio:type_tags":542,"kleio:user_record_id":67,"kleioapi:in_set":543,"kleioapi:in_space":544,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":546,"kleioapi:owner_default_space__label__de":546,"kleioapi:owner_default_space__label__en":546,"kleioapi:owner_default_space__label__fr":546,"kleioapi:public":6,"rdfs:label":546,"rdfs:label__de":546,"schema:description":547,"schema:description__de":547,"schema:familyName":548,"schema:givenName":549,"threems:relatesTo":251,"threems:searchVia_index":550},1.0977077,[270],[273],"kleio:asset_2de658ed-07e4-4cc7-bf2e-a129a590ef66","kleio:user_2438_3cfc3fd7e",[254],[39],[545,25],"kleio:space_fce4453f-37c2-4acd-9129-32d1be9e2779","Barbara Tresch-Stuppan","Gestalten bedeutet für mich ein Statement abgeben. Politik und Gesellschaft ebenso bearbeiten wie die persönliche Geschichte und sie so fassbar machen. In meinem Schaffen bewege ich mich zwischen Illustration, Malerei und Installation. Das künstlerische Agieren auf meine Umwelt erlaubt mir an Themen heranzugehen, an die ich mich sonst nicht wagen würde.\n\nZug","Tresch-Stuppan","Barbara",13,"kleio:record_user_1658_3bba0de1f",{"@id":551,"@score":553,"@type":251,"kleio:activity_tag":554,"kleio:country_tags":555,"kleio:cover_asset":556,"kleio:default":18,"kleio:record_owner":557,"kleio:type_tags":558,"kleio:user_record_id":67,"kleioapi:in_set":559,"kleioapi:in_space":560,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":562,"kleioapi:owner_default_space__label__de":562,"kleioapi:owner_default_space__label__en":562,"kleioapi:owner_default_space__label__fr":562,"kleioapi:public":6,"rdfs:label":562,"rdfs:label__de":562,"schema:description":563,"schema:description__de":563,"schema:familyName":564,"schema:givenName":565,"threems:relatesTo":251,"threems:searchVia_index":566},1.0938267,[270],[273],"kleio:asset_56672c47-7427-45f0-b3a5-40b3d4f35c3f","kleio:user_1658_3bba0de1f",[254],[39],[262,25,561],"kleio:space_3087df1d-bce0-4c98-9e15-cc4f4ec6acf2","Sarah Valérie Steiner","Space, body and movement. An artistic theme to which Sarah Valérie Steiner dedicates herself in her works. Whether through a classical medium such as a canvas or through digital works or even installations, in space the interactions and relationships between people and art are questioned. Sarah Valérie Steiner navigates her own thematic world through a thoughtful concept she calls \"Taking Space, Being Space, Protecting Space.\" In her understanding of space, she implies a more political view by speaking of bodies, gender fluidity, and non-heteronormative relationships. In doing so, she chooses a more playful tone that connects to the concept of \"queer joy\" rather than a moralizing tone. This allows for a more open dialogue in the space and creates new access points.\n-Text by Anne-Sophie Mlamali\n\nSarah Valérie Steiner, \nborn on the 17.02.2001 in bern, currently lives and works in lucerne, CH\n\n*Exhibitions:\n2025 trade, frei.form, Basel \n2025 Kunst im Schwarzpark, Basel\n2025 something old something new, Bern \n2024 A Letter from a Friend, bacio, Bern\n2024 headquarters of SIG, geneva \n2024 lovely autonomy, la collective, Geneva \n2023 FatArt, with Bøwie Gallery, Schaffhausen \n2023 collective (r)evolution, lacollective, Bøwie Gallery, Geneva \n2023 pay attention to the girls behind the curtain!, Raum 240 Emmenbrücke\n2022 collective (r)evolution, VC7 Openspace, Bøwie Gallery, Zurich \n2022 over the sea, Kola, Crmi Gallery, Langenthal\n2022 r(evolution) collective, quartier libre sig, Bøwie Gallery, Genf\n2022 Collective (r)evolution, icebergues, Genf \n2022 Queer Gaze, Turmerei, Bern \n2022 BØWIE Gallery, Genf¨\n2022 Togetherness, Cai49, Luzern \n2022\tIt‘s so cloudy I can barely see you, Hslu Design&Kunst, Luzern \n2022\tI want you so bad, Soul2Soul/RU, Genf\n2021\tTHE DAY AFTER, Cai49, Luzern\n2021\tRiis im Kaffi, LE FESTIVAL DES ÉCHECS, espace libre, Biel/Bienne\n2021\tDogo Totale 2021: Relationen + Risiken, Dogo Residenz, Lichtensteig SG\n\n*Residencies:\n2024 Studio Meriodional, Marseille, France, April 2024\n2021\tDogo Residenz, Lichtensteig, CH, Mai- Juni 2021\n\n*Curation:\n2023 Binding Knots, Gina Bolle, im spül_raum, co-curation with Erin Maier \n2023 WINK, with Jordis Fellfrau, Babette Walder, Lea Elina Hofer, im spül_raum, co-curation with Erin Maier \n2023 Rosen sind rot, vielleicht sind wir blau‘, Marina Frey, im spül_raum, co-curation with Erin Maier \n2023 ‚what kind of friend are you?‘ with Raisa Kudasheva, Erin Maier, Sarah Valérie Steiner, im spül_raum \n\n*Collectives:\nkopfkino: queere belebung luzerns \nspül_raum: curation of monthly exhibitions in the former Kunstpavillon Luzern \n\n*Publications:\n2021\tNo risk, no fun, Dogo Residenz, CH (ISBN 978-3-033-08868-9)\n2021\tLe festival des échecs, espace libre\n2021\tSurvival Guide, Selbstpublikation, 2021\n2020\tSternzeichen, Rosarote Ränder, ewige Ebbe und Flut, Selbstpublikation 2020\n\n*Education:\n2024-2026: Master of Arts FHNW in Fine Arts, Basel \n2020-2023: Bachelor Kunst und Vermittlung, Hochschule Luzern\n2019-2020: Propädeutikum Bern, SfgBB\n2015-2019: Gymnasium, Campus Muristalden Bern\n\n*Scholarships \n2025 Sparx Migros-Kulturprozent \n2025 Hirschmann Stipendium\n\n\n@sarahmeetsvalerie\nsteinersarahvalerie@gmail.com\n\nsarah-valerie.kleio.com\n\n\n\n\n\n\n\n\n\n\n**Instagram**: @sarahmeetsvalerie\n\nLuzern","Steiner","Sarah Valérie",14,"kleio:record_user_3168_3e04a154d",{"@id":567,"@score":569,"@type":251,"kleio:activity_tag":570,"kleio:country_tags":571,"kleio:cover_asset":572,"kleio:default":18,"kleio:record_owner":573,"kleio:type_tags":574,"kleio:user_record_id":67,"kleioapi:in_set":575,"kleioapi:in_space":576,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":578,"kleioapi:owner_default_space__label__de":578,"kleioapi:owner_default_space__label__en":579,"kleioapi:owner_default_space__label__fr":579,"kleioapi:public":6,"rdfs:label":578,"rdfs:label__de":578,"schema:description":580,"schema:description__de":580,"schema:familyName":581,"schema:givenName":582,"threems:relatesTo":251,"threems:searchVia_index":583},1.0474722,[270],[273],"kleio:asset_71245b3a-69ee-4bfc-bcd5-93dcab23c9a4","kleio:user_3168_3e04a154d",[254],[39],[577,25],"kleio:space_61c46ccb-5788-4bee-8db0-f36e868ba771","Lua Brönnimann","Lua(na) Brönnimann","Lua Brönnimann *(sie/ihr)* , geboren am 22.02.2001, ist kunstschaffende Person und liebt Perlen, Plastikblumen, Rosa und Flauschiges. In ihre künstlerische Praxis integriert sie unterschiedlichen Materialien und kombiniert konzeptuelle Ansätze mit Video, Text, Performance, ortsspezifischen Interventionen oder Installationen. Für Lua ist Kunst politisch und ein wichtiges Tool, um gesellschaftliche Normen zu hinterfragen und soziale Transformation anzuregen. Dabei interessiert sie sich für unkonventionelle Betrachtungsweisen, absurde Szenarien und hypothetische Fragestellungen. Lua mag antihierarchische Strukturen, flüssige Übergänge, Beziehungsanarchie und queerfeministische Theorien.\n\n*Lua Brönnimann *(she/her)*, born on the 22.02.2001, is an artist who loves pearls, plastic flowers, pink and fluffy things. In her artistic practice, she integrates different materials and combines conceptual approaches with video, text, performance, site-specific interventions or installations. For Lua, art is political and an important tool to question values and initiate social transformation. She is interested in unconventional perspectives, bizarre scenarios and hypothetical questions. Lua likes anti-hierarchical structures, fluid transitions, relationship anarchy and queerfeminist theories.*\n\n**Ausbildung**\n\n\u003Cins>2021 - 2024\u003C/ins> Bachelor in Kunst und Vermittlung, Hochschule Luzern für Kunst und Design\n\u003Cins>2020 - 2021\u003C/ins> Propädeutikum für Kunst und Design, Schule für Gestaltung Bern\n\u003Cins>2016 - 2019\u003C/ins> Fachfrau Gesundheit EFZ, Inselspital Bern Dermatologie\n\n**Ausstellungen, Performances, Artist Talks & Residencies**\n\n\u003Cins>UPCOMING\u003C/ins>\n\n- *A Letter from a Friend*, Miniatur-Skulptur «A4 as Cute and Demure as Possible» in der Kunstgallerie des Bacio Collective in Bern\n- *Porny days*, Rauminstallation «Candy Kiss» in Zusammenarbeit mit dem Kollektiv Sugar Babes in der Gessnerallee Zürich\n- *Cantonale Bern Jura*, Videoinstallationen «They Said Yes!» und «I Want to Become a Succesful Artist Just Like Her» im Kunsthaus Biel\n\n\u003Cins>2024\u003C/ins>\n\n- *This Is Meant To Find You*, Solo Performance «Sleeping Ballet Cat» im Toni-Areal, Zürich\n- *frei.pass*, öffentliches Werkgespräch zu dem Werkentwurf «Robo Cat» im alten Loeblager Bern\n- *I was talking about tomorrow*, Rauminstallation «Soft Endings» im Bell-Areal Kriens, Luzern\n- *Artist Talk* zu dem Werk «They Said Yes!» mit Jenifer Becker und Student:innen der Universität Hildesheim, Deutschland\n- *SRF Kultur*, Interview zum Thema Mensch-KI-Beziehungen, https://www.instagram.com/reel/C4DKYeSqxeg/?igsh=N2cydzM4ZTZjb2M0\n- *All Inclusive Festival*, Rauminstallation «Wounded Giant Bunny» in der Kunstplattform akku, Luzern\n\n\u003Cins>2023\u003C/ins>\n\n- *PaktXIrma transdisziplinäres Festival*, 12 Stunden Performance im öffentlichen Raum «What Would Jesus Do?» in Zusammenarbeit mit dem Partout Partout Collectif, San Keller und Ernestyna Orlowska, Bern\n- *Kunstplätze*, 3 monatige Artist Residency mit dem Partout Partout Collectif im Fellergut Quartier, ortsspezifische Interventionen im Auftrag des Vereins Kunstachse und der Komission für Kunst im öffentlichen Raum Bern\n- *Queer pleasure*, Soundpiece in Zusammenarbeit mit dem Partout Partout Collectif für den Radiosender Canale Milva und den Kunstraum Lateral Roma in Rom, Italien\n- *Cut the Mustard*, Videoinstellation «I Want to Become a Succesful Artist Just Like Her» in der Kunstgallerie Lullin + Ferrari, Zürich\n- *Colabor-ation: Von Verflechtung und Zusammenarbeit*, Ausstellung des Stickersets «Heteronormativity Is a Cult!» in Zusammenarbeit mit Stella Heidegger, Kunsthalle Luzern\n- *Pois 42/44*, Videoinstallation «I Want to Become a Succesful Artist Just Like Her» im MOLO Keller Luzern\n- 1 Woche artist Residency mit dem Partout Partout Collectif auf Eiladung von marytwo in Beromünster, Luzern\n- 1 Monat Artist Residency mit dem Partout Partout Collectif im Südpol Luzern, Entwicklung eines Stempelsets\n- *All Inclusive Festival*, Rauminstallation «They Said Yes!» in der Viscosistadt, Luzern\n\n\u003Cins>2022\u003C/ins>\n\n- *C'est Party!*, 6 Wochen Artist Residency in Bourbonne-les-Bains, ortsspezifische Interventionen, Performances im öffentlichen Raum und selbstkuratierte Gruppenausstellung im EAC Les Thermes+, Frankreich\n- *Queer gazes*, Ausstellung Kartenspiel «Before We Break Up» in der Turmerei Bern\n- *All Inclusive Festival*, Ausstellung Print in der Viscosistadt, Luzern\n\n\u003Cins>2021\u003C/ins>\n\n- *Empau*, ortsspezifische Installation im Kunstraum Trun, Graubünden\n- *Hermanas del arte*, Ausstellung Prints im Newgraffiti Bern\n- Abschlussausstellung Propädeutikum für Kunst und Design 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