\n\u003Cbr/>\n\n\n**CV Daniel Züsli**\n\n- 1986* in Zug,\taufgewachsen in Cham, lebt in Luzern und arbeitet in Cham.\n- 2008 – 2011\tAusbildung zum Holzbildhauer, Holzbildhauerschule Brienz \n- 2011 – 2015 \tLehr- und Wanderjahre als Holzbildhauer\n- Seit 2015 \tSelbständig mit eigenem Atelier in Cham\n- 2019-2022\tBachelor of Arts, Hochschule Luzern \n\n**Ausstellungen (Auswahl)**\n- 2025 Regional Willisau, Haus zur Glocke Steckborn\n- 2024 Hortus Conclusus Galerie Weiertal Winterthur\n- 2024 HallelujART Steinhausen\n- 2024 Objektkunst im Fokus Visarte Luzern\n- 2024 Kunst aus Abbruchobjekt Schule Wiesental Baar\n- 2023 Auswahl 23 Aargauer Kunsthaus, JKON Expoit me Kunstmuseum Olten\n- 2023 Sammlung im Dialog II Sankturbahnhof Sursee\n- 2023 #umrissederrelevanz Chateau Hornegg Zürich\n- 2022 Kunst im Wald Dietikon\n- 2022 Les jours des éphémères Olten\n- 2021 Wohin? Lakeside Gallery Unterägeri (Einzelaustellung)\n- 2021 Kunstpause Zug\n- 2021 Art Trail Andermatt\n- 2021 Landartpfad Engelberg\n- 2021 LE FESTIVAL DES ÉCHECS\n- 2021 Espace Libre Biel\n- 2021 Perfect Match Galerie Kriens\n- 2020 ART Innsbruck mit Lakeside Gallery\n- 2020 Landart Pfad Andermatt – Hospental\n- 2020 Flachgedrückt Zug Kultur Magazin\n- 2020 BREAK UP THE MOLD Luzern\n- 2020 Hohoho Kali Gallery Luzern\n- 2019 Strukturiert und flachgedrückt. Lakeside Gallery Unterägeri (Einzelaustellung)\n- 2019 Contemporary Basel\n- 2019 Art 333 Wädenswil/Au\n- 2019 Kunstpause Zug\n- 2018 KunstKubusCham (Einzelausstellung)\n- 2018 Frisch verpackt, Zuger Kunstnacht, Kunstpause\n\n**Symposien und Schauschnitzen**\n- 2023 Int. Holzbildhauer Symposium Brienz\n- 2022 Höfner Skultpurensymposium Pfäffikon SZ\n- 2019 Choma, Int. Holzbildhauer Symposium Brienz\n- 2019 Art Engiadina Sur En, Kunst und Bier (D) Steinhauser-Bildhauer-Spektakel (Organisation)\n- 2018 Vias d`art Pontresina (Schneeskulpturen)\n- 2016 Holzbildhauersymposium Illshofen (D), Int. Holzbildhauer Symposium Brienz, Züsli und Hubers hauen drauf, Cham am See\n- 2015 15. Int. Holzbildhauersymposium in Zinnowitz (D)\n- 2014 Holzbildhauersymposium Ehrenfriedersdorf (D)\n- 2014 Int. Holzbildhauer Symposium Brienz (CH), Holzbildhauerwoche Rosswald\n\n**Preise und Auszeichnungen**\n- 2024 Förderbeitrag Kanton Zug\n- 2024 Kunstankauf Gemeinde Baar\n- 2019 Förderbeitrag Kanton Zug\n- 2017 KMU Preis an der Tierparade mit TrashTier\n- 2013 1. Preis beim 18. Internationalen Holzbildhauersymposium in Eubabrunn (D)\n\n**Arbeiten im Öffentlichen Raum**\n- 2024 Chöpf 2.0 Hirsgarten Cham\n- 2023 Tandem Zug\n- 2021 Wohin? 2 Doppelskulpturen in Unterägeri\n- 2019 Brunnen fürs Eidg. Schwing und Älplerfest Zug\n- 2019 Kreiseldekoration fürs Eidg. Schwingfest Gemeinde Steinhausen\n- 2018 „Zurückschauen und sich vorwärtsbewegen“ 100 Jahre Ruderclub Cham\n- 2014 Heilige Famillie für die Dorfkrippe in Dölsach (A)\n- 2013 Skulpturengruppe ‚Saint Margaret‘, ‚Knight of Malta‘, ‚Journeyman‘ for the Knights Sanctuary at Sawcliffe Manor (GB)\n- 2013 Skulptur ‚Heiliger Lukas‘ Schutzpatron der Maler, Eingangspforte Malermuseum in Wehrbleck (D)\n\n[daniel-zuesli.ch](http://www.daniel-zuesli.ch)","Züsli","Daniel","kleio:record_user_1728_3c0428a1a",{"@id":353,"@score":355,"@type":251,"kleio:activity_tag":356,"kleio:country_tags":357,"kleio:cover_asset":358,"kleio:default":18,"kleio:record_owner":359,"kleio:type_tags":360,"kleio:user_record_id":67,"kleioapi:in_set":361,"kleioapi:in_space":362,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":364,"kleioapi:owner_default_space__label__de":364,"kleioapi:owner_default_space__label__en":364,"kleioapi:owner_default_space__label__fr":364,"kleioapi:public":6,"rdfs:label":364,"rdfs:label__en":364,"schema:familyName":365,"schema:givenName":366,"threems:relatesTo":251,"threems:searchVia_index":227},1.6975305,[270],[273],"kleio:asset_2b30d138-4077-4951-bec6-0b607548e0a8","kleio:user_1728_3c0428a1a",[254],[39],[363,25],"kleio:space_dd8a3433-22f3-4477-9f48-3e3208adc3f6","Emma Bertuchoz","Bertuchoz","Emma","kleio:record_user_2432_3cfc30234",{"@id":367,"@score":369,"@type":251,"kleio:activity_tag":370,"kleio:country_tags":371,"kleio:cover_asset":374,"kleio:default":18,"kleio:record_owner":375,"kleio:type_tags":376,"kleio:user_record_id":67,"kleioapi:in_set":377,"kleioapi:in_space":378,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":380,"kleioapi:owner_default_space__label__de":380,"kleioapi:owner_default_space__label__en":380,"kleioapi:owner_default_space__label__fr":380,"kleioapi:public":6,"rdfs:label":380,"rdfs:label__de":380,"schema:description":381,"schema:description__de":381,"schema:familyName":382,"schema:givenName":383,"threems:relatesTo":251,"threems:searchVia_index":384},1.6148374,[270],[372,273,373],"kleio:tag_country_DE","kleio:tag_country_NL","kleio:asset_e17ad9df-9011-452a-ad93-fbede718e403","kleio:user_2432_3cfc30234",[254],[39],[379,25],"kleio:space_6d5994dc-b966-4bc0-9750-d5bd329f2388","Julia Meade","Performatively and conceptually I screen myself as a woman, as a parent and as an artist. I see my life as an example and address myself as a ‘mother’ in relation to society.\n\nMy practice relates to the research of this topic - a sociopolitically complex concept with which I deal autobiographically and autotheoretically to process personal experiences, reveal conflicts and pain points. Private becomes public and I deliberately avoid always adapting to my surroundings. I actively try to not separate and let me be the entity that I am. Existing with what I have, united into a complete whole.\nSeeking consensus. Maintaining simultaneity. Subversive thinking.\n\nChildren are the political act of our society. Children are not a private matter. I am in a more-than-individual state. I wish for laboratories, where a new language can be created. Education is the cultivation of the self. The artistic practice to diagnose the interest in the cultural world, as well as the interest in the world of children and make expectations visible.\n\nmore information on my [Instagram](https://www.instagram.com/ju_meade/)","Meade","Julia",15,"kleio:record_user_1737_3c0448191",{"@id":385,"@score":387,"@type":251,"kleio:activity_tag":388,"kleio:country_tags":389,"kleio:cover_asset":391,"kleio:default":18,"kleio:record_owner":392,"kleio:type_tags":393,"kleio:user_record_id":67,"kleioapi:in_set":394,"kleioapi:in_space":395,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":397,"kleioapi:owner_default_space__label__de":397,"kleioapi:owner_default_space__label__en":397,"kleioapi:owner_default_space__label__fr":397,"kleioapi:public":6,"rdfs:label":397,"rdfs:label__de":397,"schema:description":398,"schema:description__de":398,"schema:familyName":399,"schema:givenName":400,"threems:relatesTo":251,"threems:searchVia_index":401},1.4855479,[270],[273,390],"kleio:tag_country_AL","kleio:asset_38b29896-5556-44ed-a7ee-2e8566c6bc29","kleio:user_1737_3c0448191",[254],[39],[25,396],"kleio:space_6ee390b2-7fde-4b7c-80d5-933d092bd248","Nexy","Nexy lebt in Zürich und studiert an der HSLU Kunst und Vermittlung.\n\nNexy ist eine aktive Künstlerin mit viel Imagination. Sie ist inspiriert von verschiedenen Stilrichtungen, von der klassischen Zeit bis heute. Die Hauptthemen, die sie erforscht, sind Feminismus, die menschliche Figur und die Natur. \n\nDer Hauptzweck ihrer Malerei ist nicht das Thema, sondern die Gesamtheit der Malerei selbst - und die inhalt auf der Leinwand sollen die Betrachtern zur Interpretation anregen. \n\nEs macht sie glücklich, wenn ihre Kunst auch andere Menschen auf diesem Planeten erreicht und uns alle miteinander verbindet. \n\nWenn sie beim Malen ist, befindet sie sich wie in einer Meditation. Ihr Arbeitsplatz ist stets aufgeräumt, damit die universelle Energie aufgenommen und auf der Leinwand zum Ausdruck gebracht werden kann. Ihr Ziel ist es, eine innere Szenerie wie eine Art auf die Leinwand zu bringen.","Imeri","Nexhibe",6,"kleio:record_user_3104_3dc7e5b54",{"@id":402,"@score":404,"@type":251,"kleio:activity_tag":405,"kleio:country_tags":407,"kleio:cover_asset":409,"kleio:default":18,"kleio:record_owner":410,"kleio:type_tags":411,"kleio:user_record_id":67,"kleioapi:in_set":412,"kleioapi:in_space":413,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":415,"kleioapi:owner_default_space__label__de":415,"kleioapi:owner_default_space__label__en":415,"kleioapi:owner_default_space__label__fr":415,"kleioapi:public":6,"rdfs:label":415,"rdfs:label__de":415,"schema:description":416,"schema:description__de":416,"schema:familyName":417,"schema:givenName":418,"threems:relatesTo":251,"threems:searchVia_index":236},1.4692831,[406,307],"kleio:tag_activity_photographer",[273,408],"kleio:tag_73e9f5e0-01e9-4436-aa7a-160806dc66db","kleio:asset_383d711e-56f2-4dec-8232-77d2b7c80357","kleio:user_3104_3dc7e5b54",[254],[39],[414,25],"kleio:space_06aa182e-8a0f-4e49-9b3d-a455786d69fe","Elsbeth Carolin Iten","\u003Cins>english below\u003C/ins>\n\nGeboren und aufgewachsen in Unterägeri, lebt und arbeitet in Luzern.\n\nElsbeth Carolin Iten bewegt sich zwischen Kunst, Care und Forschung, zwischen Bild, Körper und Sprache. Ihre künstlerische Praxis folgt Spuren: von Menschen, Orten, Pflanzen und dem, was vielleicht sein könnte. Sie interessiert sich für das, was brüchig ist, für die Möglichkeit von Nähe im Unbekannten – für die Verletzlichkeit als Ausgangspunkt von Begegnung.\n\nSie arbeitet mit Fotografie, Video, Performance und Text, oft ortsbezogen, oft in Bewegung. Ihre Arbeiten entstehen im unterwegs-sein, im Zuhören, im Innehalten. Sie hat als Pflegefachfrau gearbeitet, in Westafrika gelebt, ist in Südamerika gereist. Für sie fließen Religionswissenschaft, Pflege, Kunst und Spiritualität nicht auseinander – sie sind verschiedene Sprachen eines geteilten Interesses: Wie lässt sich Begegnung und Transformation denken? Verkörpern? Zeigen?\n\nMit Maricruz Peñaloza und Kerstin Wittenberg bildet sie das Kollektiv Las Errantes. Gemeinsam entwickeln sie poetisch-politische Formate zu Migration, Körper und Territorium. Im Silence Institute arbeitet sie mit dem Philosophen Edwin Egeter an der Schnittstelle von Kunst, Religion und Philosophie.\n\nIhre Arbeiten waren Teil von Ausstellungen und Performance Veranstaltungen. \n\nElsbeth Carolin Iten absolvierte einen Master in Kunst an der Hochschule Luzern. An den Universitäten Luzern und Bern hat sie Islamwissenschaft, Soziologie und Religionswissenschaften studiert und schloss mit einem Master in Kulturwissenschaft ab. \n\n\n-------------\nenglish\n\nElsbeth Caroline Iten, lives and works in Lucerne, Switzerland. \n\n\nElsbeth Carolin Iten moves between art, care, and research – between image, body, and language. Her artistic practice traces the marks of people, places, plants, and what might be. She is drawn to fragility, to the possibility of closeness within the unknown – to vulnerability as a starting point for encounter.\n\nShe works with photography, video, performance, and text – often site-specific, often in motion. Her works emerge through being on the move, through listening and pausing. She has worked as a nurse, lived in West Africa, travelled through South America, and studied religion. For her, science, care, art, and spirituality are not separate fields – they are different languages of a shared inquiry: How can care and transformation be thought? Embodied? Made visible?\n\nTogether with Maricruz Peñaloza and Kerstin Wittenberg, she forms the collective Las Errantes. They develop formats exploring migration, bodies, and territory. At the Silence Institute, she collaborates with philosopher Edwin Egeter at the intersection of art, religion, and philosophy.\n\nHer work has been shown in exhibitions and performance events.\n\n\nElsbeth Carolin Iten holds a Master’s degree in Art from the Lucerne University of Applied Sciences and Arts. She studied Islamic Studies, Sociology , and Religious Studies at the Universities of Lucerne and Bern, graduating with a Master’s degree in Cultural Studies.\n\n\nelsbeth.iten@gmail.com\n\nhttps://www.instagram.com/elsbethcaroliniten/\n\nhttps://elsbeth-carolin-iten.kleio.com\n\n\n\n\n\n\n\n","Iten","Elsbeth Carolin","kleio:record_3f9377bc4",{"@id":419,"@score":421,"@type":251,"kleio:activity_tag":422,"kleio:country_tags":423,"kleio:cover_asset":427,"kleio:default":18,"kleio:record_owner":428,"kleio:type_tags":429,"kleio:user_record_id":67,"kleioapi:in_set":430,"kleioapi:in_space":431,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":433,"kleioapi:owner_default_space__label__de":433,"kleioapi:owner_default_space__label__en":433,"kleioapi:public":6,"rdfs:label":433,"rdfs:label__de":433,"rdfs:label__en":433,"schema:description":434,"schema:description__de":435,"schema:description__en":434,"schema:familyName":436,"schema:givenName":437,"threems:relatesTo":251,"threems:searchVia_index":438},1.4545279,[270],[424,425,426],"kleio:tag_ad90cbd8-08af-47ff-916f-3ed1fafb63fd","kleio:tag_d0a0cd6f-e33a-40da-a564-860e8d2459ae","kleio:tag_c6ec1eff-fb00-47c2-b63f-6e24de608fe6","kleio:asset_2f9acb0d-1135-4fcd-ad90-2d46d5debd94","kleio:user_3f9377bc4",[254],[39],[25,432],"kleio:space_3f9377bc4","Aline Iris Schüpbach","Aline is a conceptual artist who works with various media and strategies; in fine arts as well as in theater and cultural mediation. Her artistic work mainly manifests with or around text and language. It takes form as installation, text, performance, sculpture or drawing.\n\nAline enjoys working collectively and is part of the theatre collective *Licht aus. Ende*, as well as the textbased collective *zucker3000* and the conceptual studio *büro tag1*.\n\n\nInstagram: [@alinmittte](https://www.instagram.com/alinmittte/)\n\nPortfolio: [hier](https://drive.google.com/drive/folders/1Oo2-JM0Pz8Bc8uhItH1ByylW58ss8JVg?usp=share_link)\n\n---\n\nCV\n\n2021 - 2024 Bachelor of Arts in Kunst und Vermittlung, Hochschule Luzern DFK, Emmenbrücke LU\n\n2020 - 2021 Propädeutikum Kunst und Design, Schule für Gestaltung Biel/Bienne, BE","Aline Iris Schüpbach (sie/keine), *2000 in Biel/Bienne, arbeitet nach ihrem Bachelor in Vermittlung von Kunst und Design an unterschiedlichen Projekten in bildender und darstellender Kunst und Vermittlung. Neben Assistenzen zwischen Dramaturgie und Produktion an unterschiedlichen Theaterhäusern beschäftigt sie sich in ihrem Atelier mit dem Schreiben und Einsprechen von Texten, mit Skulpturen und installativen Setzungen. Gerade beschäftigen sie Archive, Soziale Medien und das Internet, das Vergessen und das Erinnern, affektive Ansätze und Hunde.\n\nIm Kollektiv: Als ½ von *zucker3000* übt sie sich in kollektivem Schreiben. Mit *büro tag1* findet sie bald heraus, was Arbeit ist. Als Teil von *Who is Georgia* performt sie in Theaterstücken von Cyriel Ross. Zudem ist sie mit Ljubia Kohlbrenner als *process.bff* in (re)search of friendship as a (performative) practice, zuletzt im Rahmen des Sparx-Förderpools 2025.\n\n\n[CV](https://docs.google.com/document/d/1tGUnUS5fQK4a1_WCl0EFTrNVCijR4RMrd9QUNg7SIPY/edit?usp=sharing)\n\n","Schüpbach","Aline Iris",17,"kleio:record_user_1658_3bba0de1f",{"@id":439,"@score":441,"@type":251,"kleio:activity_tag":442,"kleio:country_tags":443,"kleio:cover_asset":444,"kleio:default":18,"kleio:record_owner":445,"kleio:type_tags":446,"kleio:user_record_id":67,"kleioapi:in_set":447,"kleioapi:in_space":448,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":450,"kleioapi:owner_default_space__label__de":450,"kleioapi:owner_default_space__label__en":450,"kleioapi:owner_default_space__label__fr":450,"kleioapi:public":6,"rdfs:label":450,"rdfs:label__de":450,"schema:description":451,"schema:description__de":451,"schema:familyName":452,"schema:givenName":453,"threems:relatesTo":251,"threems:searchVia_index":454},1.4525101,[270],[273],"kleio:asset_56672c47-7427-45f0-b3a5-40b3d4f35c3f","kleio:user_1658_3bba0de1f",[254],[39],[262,25,449],"kleio:space_3087df1d-bce0-4c98-9e15-cc4f4ec6acf2","Sarah Valérie Steiner","Space, body and movement. An artistic theme to which Sarah Valérie Steiner dedicates herself in her works. Whether through a classical medium such as a canvas or through digital works or even installations, in space the interactions and relationships between people and art are questioned. Sarah Valérie Steiner navigates her own thematic world through a thoughtful concept she calls \"Taking Space, Being Space, Protecting Space.\" In her understanding of space, she implies a more political view by speaking of bodies, gender fluidity, and non-heteronormative relationships. In doing so, she chooses a more playful tone that connects to the concept of \"queer joy\" rather than a moralizing tone. This allows for a more open dialogue in the space and creates new access points.\n-Text by Anne-Sophie Mlamali\n\nSarah Valérie Steiner, \nborn on the 17.02.2001 in bern, currently lives and works in lucerne, CH\n\n*Exhibitions:\n2025 trade, frei.form, Basel \n2025 Kunst im Schwarzpark, Basel\n2025 something old something new, Bern \n2024 A Letter from a Friend, bacio, Bern\n2024 headquarters of SIG, geneva \n2024 lovely autonomy, la collective, Geneva \n2023 FatArt, with Bøwie Gallery, Schaffhausen \n2023 collective (r)evolution, lacollective, Bøwie Gallery, Geneva \n2023 pay attention to the girls behind the curtain!, Raum 240 Emmenbrücke\n2022 collective (r)evolution, VC7 Openspace, Bøwie Gallery, Zurich \n2022 over the sea, Kola, Crmi Gallery, Langenthal\n2022 r(evolution) collective, quartier libre sig, Bøwie Gallery, Genf\n2022 Collective (r)evolution, icebergues, Genf \n2022 Queer Gaze, Turmerei, Bern \n2022 BØWIE Gallery, Genf¨\n2022 Togetherness, Cai49, Luzern \n2022\tIt‘s so cloudy I can barely see you, Hslu Design&Kunst, Luzern \n2022\tI want you so bad, Soul2Soul/RU, Genf\n2021\tTHE DAY AFTER, Cai49, Luzern\n2021\tRiis im Kaffi, LE FESTIVAL DES ÉCHECS, espace libre, Biel/Bienne\n2021\tDogo Totale 2021: Relationen + Risiken, Dogo Residenz, Lichtensteig SG\n\n*Residencies:\n2024 Studio Meriodional, Marseille, France, April 2024\n2021\tDogo Residenz, Lichtensteig, CH, Mai- Juni 2021\n\n*Curation:\n2023 Binding Knots, Gina Bolle, im spül_raum, co-curation with Erin Maier \n2023 WINK, with Jordis Fellfrau, Babette Walder, Lea Elina Hofer, im spül_raum, co-curation with Erin Maier \n2023 Rosen sind rot, vielleicht sind wir blau‘, Marina Frey, im spül_raum, co-curation with Erin Maier \n2023 ‚what kind of friend are you?‘ with Raisa Kudasheva, Erin Maier, Sarah Valérie Steiner, im spül_raum \n\n*Collectives:\nkopfkino: queere belebung luzerns \nspül_raum: curation of monthly exhibitions in the former Kunstpavillon Luzern \n\n*Publications:\n2021\tNo risk, no fun, Dogo Residenz, CH (ISBN 978-3-033-08868-9)\n2021\tLe festival des échecs, espace libre\n2021\tSurvival Guide, Selbstpublikation, 2021\n2020\tSternzeichen, Rosarote Ränder, ewige Ebbe und Flut, Selbstpublikation 2020\n\n*Education:\n2024-2026: Master of Arts FHNW in Fine Arts, Basel \n2020-2023: Bachelor Kunst und Vermittlung, Hochschule Luzern\n2019-2020: Propädeutikum Bern, SfgBB\n2015-2019: Gymnasium, Campus Muristalden Bern\n\n*Scholarships \n2025 Sparx Migros-Kulturprozent \n2025 Hirschmann Stipendium\n\n\n@sarahmeetsvalerie\nsteinersarahvalerie@gmail.com\n\nsarah-valerie.kleio.com\n\n\n\n\n\n\n\n\n\n\n**Instagram**: @sarahmeetsvalerie\n\nLuzern","Steiner","Sarah Valérie",14,"kleio:record_user_2438_3cfc3fd7e",{"@id":455,"@score":457,"@type":251,"kleio:activity_tag":458,"kleio:country_tags":459,"kleio:cover_asset":460,"kleio:default":18,"kleio:record_owner":461,"kleio:type_tags":462,"kleio:user_record_id":67,"kleioapi:in_set":463,"kleioapi:in_space":464,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":466,"kleioapi:owner_default_space__label__de":466,"kleioapi:owner_default_space__label__en":466,"kleioapi:owner_default_space__label__fr":466,"kleioapi:public":6,"rdfs:label":466,"rdfs:label__de":466,"schema:description":467,"schema:description__de":467,"schema:familyName":468,"schema:givenName":469,"threems:relatesTo":251,"threems:searchVia_index":470},1.3575122,[270],[273],"kleio:asset_2de658ed-07e4-4cc7-bf2e-a129a590ef66","kleio:user_2438_3cfc3fd7e",[254],[39],[465,25],"kleio:space_fce4453f-37c2-4acd-9129-32d1be9e2779","Barbara Tresch-Stuppan","Gestalten bedeutet für mich ein Statement abgeben. Politik und Gesellschaft ebenso bearbeiten wie die persönliche Geschichte und sie so fassbar machen. In meinem Schaffen bewege ich mich zwischen Illustration, Malerei und Installation. Das künstlerische Agieren auf meine Umwelt erlaubt mir an Themen heranzugehen, an die ich mich sonst nicht wagen würde.\n\nZug","Tresch-Stuppan","Barbara",13,"kleio:record_user_1734_3c043e794",{"@id":471,"@score":473,"@type":251,"kleio:activity_tag":474,"kleio:country_tags":475,"kleio:cover_asset":476,"kleio:default":18,"kleio:record_owner":477,"kleio:type_tags":478,"kleio:user_record_id":67,"kleioapi:in_set":479,"kleioapi:in_space":480,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":482,"kleioapi:owner_default_space__label__de":482,"kleioapi:owner_default_space__label__en":482,"kleioapi:owner_default_space__label__fr":482,"kleioapi:public":6,"rdfs:label":482,"rdfs:label__de":482,"schema:description":483,"schema:description__de":483,"schema:familyName":484,"schema:givenName":485,"threems:relatesTo":251,"threems:searchVia_index":486},1.3531605,[270],[273],"kleio:asset_1ddbfe09-8a22-465d-b56b-1f7692e852ea","kleio:user_1734_3c043e794",[254],[39],[25,481],"kleio:space_7b413aa2-8dcb-4a62-b7e9-dcfd6cff2927","Pascal Sterchi","In my artistic work I am concerned with reconciliation and the balancing of boundaries. I like to combine things that do not go together and am convinced that interesting things are hidden in the inconspicuous. I am impulsively guided by my intuition and my imagination.\n\nSince I am disillusioned with the idea of limitations, I believe in the creation of new universes. I focus on to the ever-changing environment, the metamorphosis of all being and existentialism. Current socio-political discourses trigger my creative work and form the impetus for the relentless search for new images.\n\nThe act of masking one’s reality echoes in the act of figuration. Therefore my work also orbits around masculinities, their mannerisms and sensations. Characters are often caught in states of emotional or psychological transformation. Vulnerability and ambiguity become a reality for the subject.","Sterchi","Pascal",11,"kleio:record_user_1680_3bd5fe2a0",{"@id":487,"@score":489,"@type":251,"kleio:activity_tag":490,"kleio:country_tags":491,"kleio:cover_asset":492,"kleio:default":18,"kleio:record_owner":493,"kleio:type_tags":494,"kleio:user_record_id":67,"kleioapi:in_set":495,"kleioapi:in_space":496,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":498,"kleioapi:owner_default_space__label__de":498,"kleioapi:owner_default_space__label__en":498,"kleioapi:owner_default_space__label__fr":498,"kleioapi:public":6,"rdfs:label":498,"rdfs:label__de":498,"schema:description":499,"schema:description__de":499,"schema:familyName":500,"schema:givenName":501,"threems:relatesTo":251,"threems:searchVia_index":67},1.2953141,[270],[273],"kleio:asset_3187cc44-515a-4fb8-9802-32bc4e427ad2","kleio:user_1680_3bd5fe2a0",[254],[39],[262,497,25],"kleio:space_fdf526df-fc52-451f-8505-b60da412c9cf","Bertilla Spinas","Bertilla Spinas (*1999, Zürich, Schweiz) arbeitet als bildende und darstellende Künstlerin. Ein Grossteil ihrer Praxis funktioniert als direkte Reaktion auf Räume und Situationen. Auf spielerisch-kritische Weise entstehen konzeptuelle Werke, die scheinbar Alltägliches auf einen gesellschaftspolitischen Nenner bringen. \n\nHäufig arbeitet sie in kollektiven Formen, insbesondere in denjenigen Projekten, die sich an der Schnittstelle von bildender Kunst und Theater bewegen. Damit löst sie die oben beschriebene konzeptionelle Schlüssigkeit auch immer wieder in fluideren Formaten auf.\n\nSeit 2022 ist sie fester Bestandteil der Wrestling Gruppe Brigade Brut und tritt regelmässig im Ring an.\n\n.\n\nNEXT:\n\n21.3 - 8.6.25 Regional Luzern, Museum Sankt Urbanhof, Sursee\n24.5 & 25.5 Performance @Festival der Vorgärten\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n","Spinas","Bertilla","kleio:record_user_1724_3c0428853",{"@id":502,"@score":504,"@type":251,"kleio:activity_tag":505,"kleio:country_tags":506,"kleio:cover_asset":507,"kleio:default":18,"kleio:record_owner":508,"kleio:type_tags":509,"kleio:user_record_id":67,"kleioapi:in_set":510,"kleioapi:in_space":511,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":513,"kleioapi:owner_default_space__label__de":513,"kleioapi:owner_default_space__label__en":513,"kleioapi:owner_default_space__label__fr":513,"kleioapi:public":6,"rdfs:label":513,"rdfs:label__de":513,"schema:description":514,"schema:description__de":514,"schema:familyName":515,"schema:givenName":516,"threems:relatesTo":251,"threems:searchVia_index":517},1.2708983,[270],[273],"kleio:asset_e658a240-665c-4008-abfe-aaf65f079b94","kleio:user_1724_3c0428853",[254],[39],[25,512],"kleio:space_828c2e4f-6a0d-4470-b207-5f741f06ca06","Luzia Imhof","\n\n*Luzia Imhof(1998) lebt mehrheitlich in Muotathal und studiert mehrheitlich in Emmenbrücke.*\n\nLuzia Imhof beschäftigt sich mit Hinterglasmalerei. Die medialen Eigenschaften des Glases sind für ihre Arbeit wichtig - Glas reflektiert, ist fragil, erinnert durch seine ästhetische Nähe zum screen an etwas digitales und intesiviert gleichzeitig auch die Leuchtkraft der Farbe. Sie malt immer ausgehend von Beobachtungen und ihr Werk besteht aus seriellen Auseinandersetzungen mit Landschaftsmotiven. Für sie strahlt Landschaft oftmals eine gewisse Klarheit aus. Sie mag Nebel, weil er bestehende Landschaftselemente innert kürzester Zeit verschluckt, auflöst, eine grosse weisse Fläche erschafft. Sie mag es am Fuss eines Berges zu stehen, weil der Berg von dieser Perspektive aus als eine klar definierte Wand \nerscheint, die ein ebenso präzise definiertes Ende besitzt. Sie mag weite Schneelandschaften, weil der Schnee all das Chaos der Natur und der Welt in seinem beruhigenden, unheimlichen White Noise verschluckt. Ist diese Klarheit eine natürliche Erscheinung - eine Form der natürlichen Landschaftsabstraktion - oder ist es das subjektive Verlangen der Künstlerin nach einer Form der Auflösung in einer sehr verknüpften, gefüllten, manchmal spiegelverkehrten Welt?\n\n\n\n\n\n**Ausstellungen**\n\n**Upcoming**\nRe:formations on hybrid bodies, artificial views and immersive spaces, \n**akku Kunstplattform,** Gerliswilstrasse 23, 60 20 Emmen\n**Vernissage** 12.6, 17 Uhr** Offen am: 13-15.6, 20-22.6, 26-27.6\n\n\n2020: *# 100 TOWN-HO*, B74 Raum für Kunst, Luzern\n\n2021: Plakatprojekt *Clear Channel*, Kunsthoch Luzern\n\n2022: *Soloshow Clarity*, Network of Arts, Luzern\n\n2022: *It's so cloudy I can barely see you*, HSLU Design und Kunst, Emmenbrücke\n\n2022: *Togetherness*, Cai 49, Emmenbrücke\n\n2022: *Mach dein Ding! Förderpreis jung + gegenständlich*, Galerie Bodenseekreis, Meersburg (DE)\n\n2022: *Surprise box*, Network of Arts, Luzern\n\n2022: *Down the rabbithole*, akku Kunstplattform, Emmenbrücke\n\n2022: *Gipfeltreffen*, Arlecchino Galerie-Café, Luzern\n\n2022-2023: *Ohne Titel - Junge Malerei aus Süddeutschland und der Deutschschweiz*, Museum zu Allerheiligen, Schaffhausen.\n\n 2023: *Regional Luzern*, Kantonsschule Schüpfheim \n\n 2023: *Eurydike* Soloshow, Kunstkabinen, Brunnen\n\n 2024: *Cycling Trivialities*, B74 Raum für Kunst, Luzern\n\n 2024: *ZUR SACHE!- jung + gegenständlich\nFörderpreis des Bodenseekreises 2024*\nRotes Haus | Meersburg\n\n2024: Vivida Brillante - \nDoppelausstellung Eva Gratzl und Luzia Imhof\nLakeside Gallery Zug\n\n2025:\nIrene Huwyler Weine\nHerrengasse 3, 6430 Schwyz\n\n\n\n\n[instagram](https://www.instagram.com/luziaimhof/)","Imhof","Luzia",5,"kleio:record_user_2143_3c6804a9c",{"@id":518,"@score":520,"@type":251,"kleio:activity_tag":521,"kleio:country_tags":522,"kleio:cover_asset":523,"kleio:default":18,"kleio:record_owner":524,"kleio:type_tags":525,"kleio:user_record_id":67,"kleioapi:in_set":526,"kleioapi:in_space":527,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":529,"kleioapi:owner_default_space__label__de":529,"kleioapi:owner_default_space__label__en":529,"kleioapi:owner_default_space__label__fr":529,"kleioapi:public":6,"rdfs:label":529,"rdfs:label__en":529,"schema:description":530,"schema:description__en":530,"schema:familyName":531,"schema:givenName":532,"threems:relatesTo":251,"threems:searchVia_index":533},1.108526,[270],[273],"kleio:asset_2fcd2b2d-8f9c-4761-b9eb-93b66ef790a7","kleio:user_2143_3c6804a9c",[254],[39],[528,25,262],"kleio:space_cd377515-1341-45af-88c6-fce3c71a7b21","Sophie Germanier","Sophie Germanier,\n*1996, Zürich\n\nsophie.germanier@gmail.com\n\ncurrently winding myself through the Master in Choreography at Stockholm University of the Arts\n\n**2024**\n\n*Es Meitli het welle z`Tanz goh (von «Der Tüfel a`s Tänzer»)*, premiere Aux Losange Tschiertschen, further shows at Kunst(zeug)haus Rapperswil\n\n*Es Meitli het welle z`Tanz goh (von «Der Tüfel a`s Tänzer»)*, release of publication, Aux Losange Tschiertschen \n\n**2023**\n\n*rowm nr. three*, Backslash Festival, Gessnerallee Zürich\n\n*see you backbone one*, with Gaia Del Santo, Stadtgallerie Baliere Frauenfeld\n\n*rowm nr. two*, Performance Festival Oerlikon Zürich\n\n*rowm nr. one*, organized by CRTTR, Dampfzentrale Bern\n\n**2022**\n\n*In the disappearing light of the sun I want to dance for you - A dance dedicated to a tree in Örlikon*, part of the group show *To Burn a Note*, Zürich\n\n*I am not a bag, I am not a tape I am not a nut*, Kunstmuseum Luzern during the Swiss Performance Awards\n\n*Of Decay and Friends* - with Anna Lena Eggenberg - Naturmuseum Luzern\n\n*Write Once Read Many*, during Nomination of Kiefer Hablitzel Göhner Kunstpreis - with Mira Maria Studer, Marie Jeger, Sol Jarkovich, Juliette Uzor - Messe Basel\n\n*I am Many, I contains Multitudes*, by noDIN collective (Mira Studer, Dustin Kenel, Yadin Akira Bernauer, Sophie Germanier), Südpol Luzern and Tojo Bern\n\n*Untitled (Grey City),* Locher, Zürich\n\n*Hm, Okey, Mhm,* BosqueRreal, Zürich\n\n\n\n**2021**\n\n*On Wormy Connections*, Keinraum, Luzern\n\n*Spinal Study Group*, Sic! Elephanthouse, Luzern\n\n*Welcome to the MUD-dy World,* o.T. Raum für aktuelle Kunst, Luzern\n\n*Water-Worms Dance Club*, All Inclusive HSLU, Luzern\n\n**2020**\n\n*The Angels of Zurich*, Kunsthalle Luzern\t\n\n*Daily Airing*, curated by Vinzenz Meyner, with Roman Feller and Benedickt Bock, Feldbach\n\n*Choose Your Weapon*, by noDIN collective, Südpol Luzern\n\n*Waves of Pressure*, Radio Bollwerk Residency Rote Fabrik, Zürich \n\n*The Hedge*, Hortus - Garden Exhibition curated by Samuel Haitz, Zürich\n\n*Inter-est*, Raum für Kunst B74, Luzern\n\n**2019**\t\t\n\n*FulFill*, AKKU Kunstplattform Luzern\n\n*Corner Piece*, Saint Luke, Zürich\n\n*Babel & Bubbles*, Klodin Erb und Band, Shedhalle Zürich\n\n**Prizes and Grants**\n\n**2023** TPO ChoreoLab **2022** Nominated for Kiefer Hablitzel Göhner Kunstpreis / **2021** *Chapeau!* Preis für die beste schriftliche Bachelor Arbeit Hochschule Design und Kunst Luzern / Nominated for *Alumnipreis* Hochschule Design und Kunst Luzern / Danse et Dramaturgie Pro Helvetia / **2020** Morning Star Pro Helvetia Zentralschweiz\n\n[Vimeo](https://vimeo.com/user126615023)\n\nRotbuchstrasse 18,\n8006 Zürich","Germanier","Sophie",8,"kleio:record_user_1360_3af085129",{"@id":534,"@score":536,"@type":251,"kleio:activity_tag":537,"kleio:country_tags":538,"kleio:cover_asset":539,"kleio:default":18,"kleio:record_owner":540,"kleio:type_tags":541,"kleio:user_record_id":67,"kleioapi:in_set":542,"kleioapi:in_space":543,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":546,"kleioapi:owner_default_space__label__de":546,"kleioapi:owner_default_space__label__en":546,"kleioapi:owner_default_space__label__fr":546,"kleioapi:public":6,"rdfs:label":546,"rdfs:label__de":546,"schema:description":547,"schema:description__de":547,"schema:familyName":548,"schema:givenName":549,"threems:relatesTo":251,"threems:searchVia_index":550},1.0893528,[270],[273],"kleio:asset_e9b33c49-e876-4590-90da-6ee27ec1de09","kleio:user_1360_3af085129",[254],[39],[25,544,545],"kleio:space_3d858349-d30f-45db-b8b7-5786ce6a7133","kleio:space_0c0b2bcb-d0e3-453e-9ee1-8f0b6124d39c","Serafin Krieger","Wie beruhigend, wenn die Dinge in Ordnung sind, wenn alles sortiert, klassifiziert oder schubladisiert ist. Der Mensch hat den Drang, die Welt zu überblicken, alles ein- und zuzuordnen. Gelingt dies, kann das sehr zufriedenstellend sein. Doch mitunter gerät die Ordnung aus den Fugen. Dinge sind verschwunden, sind am falschen Platz; sie verändern sich oder entziehen sich der Beschreibung. Serafin Krieger spürt solche Fehlstellen auf. Aufmerksam bewegt sich der Künstler sowohl im Alltag als auch auf Reisen durch die Welt und hält täglich fest, was ihm auffällt. Er fotografiert die Merkwürdigkeiten, die Irritationen im Gewohnten, schreibt sie auf oder zeichnet seine Alltagsbeobachtungen. (aus Obacht Kultur, von Kristin Schmidt)\n\n[website](https://serafinkrieger.ch/) \u003Cbr>\n[instagram](https://www.instagram.com/pinsel_streicher/)","Krieger","Serafin",7,"kleio:record_user_3168_3e04a154d",{"@id":551,"@score":553,"@type":251,"kleio:activity_tag":554,"kleio:country_tags":555,"kleio:cover_asset":556,"kleio:default":18,"kleio:record_owner":557,"kleio:type_tags":558,"kleio:user_record_id":67,"kleioapi:in_set":559,"kleioapi:in_space":560,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":562,"kleioapi:owner_default_space__label__de":563,"kleioapi:owner_default_space__label__en":562,"kleioapi:owner_default_space__label__fr":562,"kleioapi:public":6,"rdfs:label":563,"rdfs:label__de":563,"schema:description":564,"schema:description__de":564,"schema:familyName":565,"schema:givenName":566,"threems:relatesTo":251,"threems:searchVia_index":567},1.069208,[270],[273],"kleio:asset_71245b3a-69ee-4bfc-bcd5-93dcab23c9a4","kleio:user_3168_3e04a154d",[254],[39],[561,25],"kleio:space_61c46ccb-5788-4bee-8db0-f36e868ba771","Lua(na) Brönnimann","Lua Brönnimann","Lua Brönnimann *(sie/ihr)* , geboren am 22.02.2001, ist kunstschaffende Person und liebt Perlen, Plastikblumen, Rosa und Flauschiges. In ihre künstlerische Praxis integriert sie unterschiedlichen Materialien und kombiniert konzeptuelle Ansätze mit Video, Text, Performance, ortsspezifischen Interventionen oder Installationen. Für Lua ist Kunst politisch und ein wichtiges Tool, um gesellschaftliche Normen zu hinterfragen und soziale Transformation anzuregen. Dabei interessiert sie sich für unkonventionelle Betrachtungsweisen, absurde Szenarien und hypothetische Fragestellungen. Lua mag antihierarchische Strukturen, flüssige Übergänge, Beziehungsanarchie und queerfeministische Theorien.\n\n*Lua Brönnimann *(she/her)*, born on the 22.02.2001, is an artist who loves pearls, plastic flowers, pink and fluffy things. In her artistic practice, she integrates different materials and combines conceptual approaches with video, text, performance, site-specific interventions or installations. For Lua, art is political and an important tool to question values and initiate social transformation. She is interested in unconventional perspectives, bizarre scenarios and hypothetical questions. Lua likes anti-hierarchical structures, fluid transitions, relationship anarchy and queerfeminist theories.*\n\n**Ausbildung**\n\n\u003Cins>2021 - 2024\u003C/ins> Bachelor in Kunst und Vermittlung, Hochschule Luzern für Kunst und Design\n\u003Cins>2020 - 2021\u003C/ins> Propädeutikum für Kunst und Design, Schule für Gestaltung Bern\n\u003Cins>2016 - 2019\u003C/ins> Fachfrau Gesundheit EFZ, Inselspital Bern Dermatologie\n\n**Ausstellungen, Performances, Artist Talks & Residencies**\n\n\u003Cins>UPCOMING\u003C/ins>\n\n- *A Letter from a Friend*, Miniatur-Skulptur «A4 as Cute and Demure as Possible» in der Kunstgallerie des Bacio Collective in Bern\n- *Porny days*, Rauminstallation «Candy Kiss» in Zusammenarbeit mit dem Kollektiv Sugar Babes in der Gessnerallee Zürich\n- *Cantonale Bern Jura*, Videoinstallationen «They Said Yes!» und «I Want to Become a Succesful Artist Just Like Her» im Kunsthaus Biel\n\n\u003Cins>2024\u003C/ins>\n\n- *This Is Meant To Find You*, Solo Performance «Sleeping Ballet Cat» im Toni-Areal, Zürich\n- *frei.pass*, öffentliches Werkgespräch zu dem Werkentwurf «Robo Cat» im alten Loeblager Bern\n- *I was talking about tomorrow*, Rauminstallation «Soft Endings» im Bell-Areal Kriens, Luzern\n- *Artist Talk* zu dem Werk «They Said Yes!» mit Jenifer Becker und Student:innen der Universität Hildesheim, Deutschland\n- *SRF Kultur*, Interview zum Thema Mensch-KI-Beziehungen, https://www.instagram.com/reel/C4DKYeSqxeg/?igsh=N2cydzM4ZTZjb2M0\n- *All Inclusive Festival*, Rauminstallation «Wounded Giant Bunny» in der Kunstplattform akku, Luzern\n\n\u003Cins>2023\u003C/ins>\n\n- *PaktXIrma transdisziplinäres Festival*, 12 Stunden Performance im öffentlichen Raum «What Would Jesus Do?» in Zusammenarbeit mit dem Partout Partout Collectif, San Keller und Ernestyna Orlowska, Bern\n- *Kunstplätze*, 3 monatige Artist Residency mit dem Partout Partout Collectif im Fellergut Quartier, ortsspezifische Interventionen im Auftrag des Vereins Kunstachse und der Komission für Kunst im öffentlichen Raum Bern\n- *Queer pleasure*, Soundpiece in Zusammenarbeit mit dem Partout Partout Collectif für den Radiosender Canale Milva und den Kunstraum Lateral Roma in Rom, Italien\n- *Cut the Mustard*, Videoinstellation «I Want to Become a Succesful Artist Just Like Her» in der Kunstgallerie Lullin + Ferrari, Zürich\n- *Colabor-ation: Von Verflechtung und Zusammenarbeit*, Ausstellung des Stickersets «Heteronormativity Is a Cult!» in Zusammenarbeit mit Stella Heidegger, Kunsthalle Luzern\n- *Pois 42/44*, Videoinstallation «I Want to Become a Succesful Artist Just Like Her» im MOLO Keller Luzern\n- 1 Woche artist Residency mit dem Partout Partout Collectif auf Eiladung von marytwo in Beromünster, Luzern\n- 1 Monat Artist Residency mit dem Partout Partout Collectif im Südpol Luzern, Entwicklung eines Stempelsets\n- *All Inclusive Festival*, Rauminstallation «They Said Yes!» in der Viscosistadt, Luzern\n\n\u003Cins>2022\u003C/ins>\n\n- *C'est Party!*, 6 Wochen Artist Residency in Bourbonne-les-Bains, ortsspezifische Interventionen, Performances im öffentlichen Raum und selbstkuratierte Gruppenausstellung im EAC Les Thermes+, Frankreich\n- *Queer gazes*, Ausstellung Kartenspiel «Before We Break Up» in der Turmerei Bern\n- *All Inclusive Festival*, Ausstellung Print in der Viscosistadt, Luzern\n\n\u003Cins>2021\u003C/ins>\n\n- *Empau*, ortsspezifische Installation im Kunstraum Trun, Graubünden\n- *Hermanas del arte*, Ausstellung Prints im Newgraffiti Bern\n- Abschlussausstellung Propädeutikum für Kunst und Design Bern","Brönnimann","Lua",16,"kleio:record_user_1729_3c0428c13",{"@id":568,"@score":570,"@type":251,"kleio:activity_tag":571,"kleio:country_tags":572,"kleio:cover_asset":573,"kleio:default":18,"kleio:record_owner":574,"kleio:type_tags":575,"kleio:user_record_id":67,"kleioapi:in_set":576,"kleioapi:in_space":577,"kleioapi:is_actor":18,"kleioapi:owner_default_space__label":579,"kleioapi:owner_default_space__label__de":579,"kleioapi:owner_default_space__label__en":579,"kleioapi:owner_default_space__label__fr":579,"kleioapi:public":6,"rdfs:label":579,"rdfs:label__de":579,"schema:description":580,"schema:description__de":580,"schema:familyName":581,"schema:givenName":582,"threems:relatesTo":251,"threems:searchVia_index":583},1.0507698,[270],[273],"kleio:asset_dd90dc64-60b0-4d04-a807-d224987786d4","kleio:user_1729_3c0428c13",[254],[39],[578,25,262],"kleio:space_d5cee1e2-1276-4cda-9fdd-b15bdc1697af","TESSA HENGGELER","MEINE MUTTER SAGT ICH SEI HOCHSENSIBEL. ICH KANN KEINE FILME AB SECHZEHN JAHREN SCHAUEN UND WEINE MINDESTENS EINMAL PRO WOCHE AUFGRUND VON WELTMÜDIGKEIT. ODER WEIL ES NEUMOND IST. ALS WIR NOCH AUF EINEM BAUERNHOF LEBTEN, HABE ICH AUS VERSEHEN NEUN KANINCHENBABIES ERTRÄNKT. SARKASMUS. ESSIGGURKEN UND LAUT SEIN LIEGEN IN DER FAMILIE. ICH ÜBERNACHTE NICHT GERNE AN FREMDEN ORTEN UND KANN MICH GRUNDSÄTZLICH NICHT ERHOLEN UNTER MENSCHEN. WAS WAHRSCHEINLICH AUCH DAMIT ZU TUN HAT. DASS ICH EINE TENDENZ HABE PROBLEMEN ZUZUHÖREN UND ES GRUNDSÄTZLICH IMMER ALLEN RECHT MACHEN ZU WOLLEN. (WURDE ALS FRAU SOZIALISIERT) ICH WÄR GERNE WILDER UND EGOISTISCHER. LERNEN NEIN ZU SAGEN. WUT FÜHLEN. UND PLATZ NEHMEN. ICH BIN AM LIEBSTEN HIER AUF DER ERDE WENN ES GENUG WARM IST ZUM BARFUSS LAUFEN. ICH BRENNE FÜRS POESIE SCHREIBEN. LEUTE BEIM KÜSSEN ZU FOTOGRAPHIEREN UND DIR ÜBERTRIEBEN INTIME FRAGEN ZU STELLEN. AM GLÜCKLICHSTEN BIN ICH UMGBEN VON BÄUMEN UND AM TRAURIGSTEN BEIM UMSTEIGEN IM BAHNHOF. ICH FINDE ICH ES SCHWIERIG NICHT KAPUTT ZU GEHEN. MEIN MARS STEHT IM STERNZEICHEN SKORPION WAS ANGEBLICH BEDEUTET. DASS ICH VIELE UNTERDRÜCKTE AGRESSIONEN IN MIR TRAGE. EXPLOSIVE TEXTAUSBRÜCHE UND SCHREIE IN MEIN KOPFKISSEN HELFEN. ICH LIEBE ERNUSSBUTTER UND HASSE ES SONNENUNTERGÄNGE ZU VERPASSEN. WENN DU MIT MIR BEFREUNDET SEIN WILLST. GIB MIR DAS GEFÜHL. DASS WIR WORTLOS. ZWANGLOS UND ZEITLOS MITEINANDER IM FRIEDEN SITZEN KÖNNEN.\n\nElfenaustrasse 22\n6005 Luzern\n \nKunst und Vermittlung \nHochschule Luzern 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